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Equilibre des couleurs, travail du grain, de la texture… L’étalonneur intervient sur de nombreux paramètres permettant d’homogénéiser l’image ou de lui donner un style particulier. Explications avec Yov Moor, étalonneur depuis plus de 12 ans, qui a travaillé sur les films L’Angle mort de Patrick-Mario Bernard et Pierre Trividic, Shéhérazade de Jean-Bernard Marlin ou encore Mustang de Deniz Gamze Ergüven et Le Sens de la fête du duo Toledano/Nakache.

 

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Source : CNC

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