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AFC - Hélène Louvart, AFC, Darius Khondji, AFC, ASC, et Eric Gautier, AFC, ont tourné en Kodak et en parlent


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Trois directeurs de la photographie membres de l'AFC ont utilisé pour le tournage d'un de leurs films, courant 2019, le support pellicule Kodak. Hélène Louvart a tourné Never Rarely Sometimes Always, d'Eliza Hittman, en 16 mm, Darius Khondji Uncut Gems, de Benny et Josh Safdie, en 35 mm, et Eric Gautier La Vérité, d'Hirokazu Kore-eda, en 35 mm 2perfs. A suivre, les liens vers des articles, en anglais, où chacun d'eux parle de son expérience...

Lire ou relire également :
- Kodak 35mm puts in a versatile, cost-effective performance on Alice et le Maire (DP Sébastien Buchmann, AFC)

- Kodak 35mm film delivers warmth and love to Chambre 212 (DP Rémy Chevrin, AFC)

- Shot on Kodak S16mm, Lazzaro Felice releases in the UK to rave reviews (DP Hélène Louvart, AFC)

- Kodak 35mm delivers a poetic result on Cannes Festival screener Les Confins Du Monde (DP David Ungaro, AFC)

- DP Rémy Chevrin AFC, cinematographer of 2018 Cannes competition screener Sorry Angel, urges more filmmakers to shoot on film and regain artistic control

- Director Jaime Rosales goes all out for 35mm film production and post on his powerful family drama Petra (DP Hélène Louvart, AFC)

- Discover how DP Eric Gautier AFC used Kodak 35mm to deliver an emotional, sensuous period aesthetic on The Mercy

- DP Philippe Le Sourd AFC creates bewitching looks on Kodak 35mm for Sofia Coppola's The Beguiled

- Kodak 35mm delivers the emotional and cinematic canvas for WWII thriller The Man with the Iron Heart (DP Laurent Tangy, AFC)

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